Elizabeth Lenny’s work combines notions of time, place, and material. Many of her pieces are informed by material memories; memories of encounters and interaction with the natural world. Using these memories as a starting point, each piece is then derived from correspondence between herself and the material, following its natural curves, grain, and resistance. These material properties speak of the material’s own memory, telling of its story formation.
Elizabeth’s process relates to traditional craft techniques, primarily using hand tools, to slowly reveal form. The resulting work occupies space between functional object and sculpture, encouraging interaction and use, promoting continuous change over time.
Elizabeth Lenny
Elizabeth Lenny’s work combines notions of time, process, and material. Each piece is derived from correspondence between herself and the material, following natural curves, grain, and resistance. These followed material properties tell the story of the material and its becoming.
Elizabeth’s process relates to traditional craft techniques, primarily using hand tools, to slowly reveal form. The resulting work occupies space between functional object and sculpture, encouraging interaction and use, promoting continuous change over time.
ealenny@gmail.com
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